my tribute to the late and deeply missed Chris Cornell
This week we were set to do a skyline, most of the class wanted to do one of Minneapolis. While a few of us looked and found possibles, the teacher came in with something completely different, a very colourful, stylized skyline, which we were to emulate.
My first thoughts went to the painting “Morning Cyclist” by Fealing LIn, which we’d copied some time ago, and I thoroughly enjoyed. I decided to make mine in a similar fashion.
Last week in class, we went back to one of my favourite things to pain: Flowers! This time we had a very pale pink rose that had a nice yellow glow from the center, and a deep, dark background.
New pen and ink arrived from Goulet Pens:
We started this portrait in class today, the niece of a friend of our teacher, sitting on the couch reading.
Flowpaper is a mobile app that lets you make interesting images by just dragging your finger around the screen.
I’ve been playing with it a bit, trying to some interesting things.
Another Work in Progress. The subject is the granddaughter of our teacher’s friend.
I love the practice strokes I made (first painted image with all the figures on it). I tried it from different angles and slight different colours (still mainly in the quin burnt orange and french ultramarine). It’s my favourite part of this particular exercise so far.
This one is still a work in progress, but here goes.
Last week and this was another quick study, this time of a very cute Australian shepherd (we think). I don’t know what its name is, so I decided it was a Bruce.
The fuzziness was what we were after, and that happened with wetting the paper, then painting in the background, leaving space for the dog, and letting the pigment bleed in, leaving the fuzzy edges.
While the paper was still wet, we also dropped in some quin burnt orange, raw sienna, and some chromatic black for the colouring on the dog’s fur, while still keeping everything nice and fuzzy.
This week I finished up by darkening the background a bit more, and adding in the eyes, nose, and mouth, finishing it off with some white gouache for the spectral highlights in the eyes, and the two white dots on its nose.
From a picture provided by our teacher, we painted after watching local Minnesota watercolourist Andy Evansen‘s video Andy Evansen: Secrets of Painting Watercolor Outdoors. In the video, Andy tells us: “Get in and get out” as well as a lot of other really great advice.
Following a few weeks of doing fast and loose painting of flowers, I was set to try this on a landscape.